Don't Bore US - Get to the Chorus Granny Gremlin-related bands and projects HOME
	OHMNO 2016-Current	Drone pop superstars; Jazzmaster triple-threat.
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	Keratoid 2014-Current	Shoecore hydra, less one head.
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	LIPP 2011-2013	Shoecore hydra. Granny found himself hankering to play bass again. As luck would have it, a new acquaintance (Andrew Masuda) mentioned that he and a friend (Melodie Carew) wanted to put a band together; he was tasked with finding a bassist and she with finding a drummer. LIPP, or Low Income Party People, was born and started jamming in original drummer, Cameron De Lat's basement (the legendary 507). The sound of the band was rather spacey and shoegazey as the set was seeded with solo material Andrew had been perfoming and De Lat’s drumming was a bit jazzy. Shows were played and LIPP were forced to find a new rehearsal space due to Cameron moving out of the 507 (just ahead of a noise-related eviction). Not long after setting up their new jam space in the basement of a Kensington Market community center, Cameron left the band citing work issues and travel plans but not before cutting a few rough demos. Meaghan Bent was tapped to fill the void and the band got a little poppier and in the case of a few songs, a bit country. More shows were played and Meaghan too left the band. At this point the band decided to leave their current jam space due to security concerns (they’d found their gear removed to the community center’s stage area having been used by someone else without permission). Granny was building the Polyhaus art space with a studio in it so the band would jam there. Finding a third drummer took a remarkably long time and more songs were written while the search continued. Eventually Bennett Jones Phillips joined and the sound got punkier (due not only to Bennet being a veteran Hardcore drummer, but also because many of Mel's recent songwriting contributions were leaning that way). Granny tracked some demos but due to the studio wiring not being complete they didn’t get mixed before LIPP got the opportunity to record with local punk legend Jimmy Vapid. Due to an accident in his studio a week after the tracking session, Jimmy’s hard drive was wiped before final mixing of all the songs LIPP recorded. Only 5 (of 8 or 9) progress mixes were deemed releasable and were put out on a self-titled cassette tape. The 3 songs recorded by Granny at Polyhaus were not mixed before Polyhaus was forced to shut down. After a few more shows, Melodie had to up and move to Edmonton for work. The remainder of the band plans to continue to jam and see what happens. Melodie will likely visit. Granny is still looking for a new spot to set his studio up in so he can mix those 3 songs recorded at Polyhaus.
		L.I.P.P. EP Prepare 2b Amazed Work Ethic Story of a Revolver Depression Baby PPCLI<3U	| MP3 | 320kbps | 7.8MB | 3:24 | | MP3 | 320kbps | 8.1MB | 3:31 | | MP3 | 320kbps | 6.1MB | 2:40 | | MP3 | 320kbps | 5.5MB | 2:23 | | MP3 | 320kbps | 5.3MB | 2:18 |
		All songs by LIPP Recorded and mixed by Jimmy Vapid @ Reigning Sound Mastered by Granny Gremlin @ Polyhaus
	Peeder 2010-2012	Irreverent noise-blues.
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	Pacific Trash Vortex 2008-2010	Poppified noise/drone rockers with shoegaze leanings.
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	WeLove 2005-2008	Pushing their Rocktronic sound out to anyone with ears, WeLove likes to keep things greasy and bouncing.
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	Crown 2002-2003	Jangley garage rockers with a love of groove delivering layers of melodic niuance, heavy rythmns and a touch of trash.
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	The Corporation 2000-2007	An outspoken punk rock reggae trio from Scarborough. Spitting teeth and power chords fueled by socio-political indignation.
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	Slowhand & Gomer 2001; 2003	Suburban slowjam blues.
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	Elektravision 1998-2001	A band with no rhyme, reason or direction; a loose free-for-all rat king with no 2 songs in the same genre.
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	The Slowhand Project 1997-2004	Granny's original solo project, once described as "Etheral, with deadly noir elements."
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